SADELER, Aegidius (1570-1629):
Landscape with a round Tower and a Mill, from a set of four after Rolant Savery, possibly depicting the Tyrol

Etching. Hollstein 240; Freedberg, Dutch Landscape Prints (1980),
plate 3

SADELER, Aegidius (1570 c.-1629):
Portrait of Maerten de Vos , after Joseph Heinz

Engraving, c.1582. Hollstein 340, first state of three, before the
publisher’s address

SAENREDAM, Jan (c. 1565–1607):
The Four Seasons , a set of four after Hendrik Goltzius

Engravings, 1601. Hollstein 89, second states (of five in the case of plate 1)

SAENREDAM, Jan (c. 1565–1607):
Portrait of Pieter Ho(o)gerbeets , 1542-99), a Dutch scholar, poet and physician, after Karel van Mander

Engraving, ca. 1600. Hollstein 126, third state; New Hollstein 160, fourth state.

SAENREDAM, Jan (c. 1565–1607):
Adam and Eve forced to labour , plate 5 from the six-plate series History of the First Parents of Man, after Abraham Bloemaert

Engravings, 1601. Hollstein 89, second states (of five in the case of plate 1)

SAINT-NON, Jean-Claude-Richard, abbé de (1727-91):
Vue de l’entrée de Tivoli et des murs de la Villa d’Est (sic),from a set of six Raccolta di vedute disegnate d’apresso natura, nella ville ed’ intorno di Roma, after Jean-Honoré Fragonard

Etching, 1764. Cailleux 39; Guimbaud 27(d)
Provenance : F. H. (Lugt 3373)

SIRANI, Giovanni Andrea (1610-70), attributed to:
Judith with the Head of Holofernes, after Guido Reni

Etching. The Illustrated Bartsch 1 (314); Gori Gandellini XIV, 192, as a firm attribution; Marcus Sopher (Seventeenth Century Italian Prints, 1978) 75, as very plausible; Bertelà/Ferrari 929, as possibly Sirani

SMITH, John (ca. 1652-1742):
Self-portrait, after a portrait painting by G. Kneller

Mezzotint engraving, 1716. Chaloner Smith 232, second state of three
Provenance: National Museum, Stockholm (Lugt 1982); David Krutmeyer, Stockholm (Lugt 1639a)

STOOP, Dirk (ca. 1618 – 86):
A Youth leading a reluctant Horse, from a set of 12 horse subjects

Etching, 1651. Hollstein 2, second state of two with the sky
Watermark: Seven Provinces

STRADA, Vespasiano (1582-1622/24):
The Mystic Marriage of St. Catherine

Etching, before 1613, the death date of Nicolas van Aelst. Bartsch XVII, 309, 16

STOCK, Andries (born ca. 1580):
The Adoration of the Shepherds, after Abraham Bloemaert

Engraving. Hollstein 3, with Robert de Baudous’ address

TIEPOLO, Giandomenico (1726-1804):
Venice receiving Neptune’s Homage, after G.B. Tiepolo

Etching, 1745-50. Rizzi (1971) 107. With the inscription, Rizzi’s third state, but without the number described by Rizzi as being added in the second state.
Watermark: Three crescents

MORE BY THIS ARTIST

VAN VLIET, Jan Gillisz (1600-10 – 1668):
Two amorous Couples at an Inn

Etching and engraving, 1633-35. Hollstein 16; Rembrandthuis 46. Second state of five, with added hatching on the bed-curtain but before all publishers’ addresses
Watermark: Initials GH? (possibly a partly-visible 4HP)

VANNI, Giovanni Battista (1599-1660):
The Wedding Feast at Cana, after Paolo Veronese

Etching, 1637. Bartsch XX, 70, 17. The print was designed in two plates, divided neatly by the balustrade, this being the lower half. This impression was clearly never separated from a second sheet, but with most of the figures occupying this part of the composition, it becomes a stand-alone image.

VELDE, Jan van de II (c.1593 – after 1641):
Ruins of a Roman Amphitheatre, from a set of sixteen landscapes.

Etching, 1616. Franken and Van der Kellen 258, second state of five

VELDE, Jan van de II (c.1593 – after 1641):
A Winter Landscape with a Square Tower used as an Inn

Etching. Hollstein 267, first state of two; F & K 306, third state of four

VERBOOM, Adriaen (1637-1673):
A House among Trees, or The Hamlet

Etching, ca. 1663. Hollstein 1, second state with the added lines in the upper sky

VICO, Enea (1523-67):
Two Roman female Statues, one a Priestess, from a series of three plates of the antique statues in the palace of the Cardinal de Valle in Rome

Engraving, 1541. Bartsch 42, only state, as published by Antonio Salamanca
Watermark: Crest with letter M and star

VREDEMAN DE VRIES, Hans (1527-1609), after,
by Michael Bir(n)baum:
Bird’s-eye Views of Labyrinths and Ornamental Gardens, from a set of eight plates after Vredeman’s Hortorum Viridariorumque elegantes et multiplicis formae

Etchings, c. 1587-1615, printed two to a page, as published by Johann Bussemacher in Cologne in 1615

WATERLOO, Anthonie (c.1610-90):
Two Men seated on a Road,from a set of six large landscapes

Etching. Hollstein 123, only state Watermark: Arms of Amsterdam

WEIROTTER, Franz Edmund (1730-71):
Nella venuta in Roma di Madama Le Comte e dei Signori Watelet,
e Copette, after  E. de Lavallée Poussin, comprising the complete set of seven plates by Weirotter (including an inscription plate, Hofer’s “final curtain”),
out of a total of 32 by various hands in the original booklet
Etchings, 1764, printed three and four to a sheet.  P. Hofer,
A Visit to Rome in 1764, Harvard 1956; D. Becker, Regency to Empire, no.55